CBSE Curriculum for Secondary School Certificate Examination (IX-X) Carnatic Music Percussion 2018-19
| CARNATIC MUSIC Percussion – Theory (Code No. 033)(CBSE) | |||||||
| CBSE Syllabus for Class – IX | |||||||
| Periods : 135 Max. Marks : 25 | |||||||
| 1. Definition of the following terms : | |||||||
| Tala, Laya, Avartana, Kala, Kaala, Graha (Atita – Anagata – Sama), Nada, Sangeetam, Svara, Sthay Raga, Alankara, Arohana, Avarohana, Uttaranga and Purvanga. | |||||||
| 2. Brief history of Carnatic music with reference to Purandara Dasa, Tyagaraja, Muthuswamy, Dikshitar and Syama Sastry. | |||||||
| 3. Basic knowledge of opted instrument. | |||||||
| 4. Description and writing notation of sollukattus in Adi, Rupakam and chapu talas (all varieties). | |||||||
| 5. Brief lakshanas of musical forms – Geetam Svarajati, Varnam. | |||||||
| CARNATIC MUSIC – Percussion Theory (Code No. 033) | |||||||
| CBSE Format for Theory Examination for Class – IX | |||||||
| Max. Marks : 25 | |||||||
| 1. | Life and constribution of any one of the compsers mentioned in topic II. | 5 marks | |||||
| 2. | Construction and playing techniques of opted percussion instrument | 5 marks | |||||
| 3. | Writing in notation, the Sollukattus for Adi/Roopakam/Chapu Talas | 5 marks | |||||
| 4. Briefly explaining the lakshanas of any one of the Musical Term from topic V | |||||||
| 5 marks | |||||||
| 5. Writing short – notes on five technical terms from the syllabus 5 marks | |||||||
| Note : Examiner should give internal choice for all the question set up. | |||||||
| 109 | |||||||
| CBSE CARNATIC MUSIC – Percussion Practical (Code No. 033) | |||||||
| CBSE Syllabus for Class – IX | |||||||
| Periods : 405 Max. Marks : 75 | |||||||
| 1. Ability to recite Sollukattus for the prescribed talas with varieties and in at-least three speeds. | |||||||
| 2. Ability to play Sollukattus (simple) in Adi, Rupaka and Chapu Tala varieties. | |||||||
| 3. Reciting the Sapta Tala Alankaras in three degrees of speed. | |||||||
| 4. Questions based on the construction and playing techniques adopted for Kanjira | |||||||
| and Ghatam. | |||||||
| 5. Basic technical knowledge adopted for Mridangam play and short bouts of accompanying in the format of Tattakaramas for Janta Svaras, Patterns, alankarams, geetam, svarajatis. | |||||||
| CBSE CARNATIC MUSIC – Percussion Practical (Code No. 033) | |||||||
| Format for Practical Examination for Class – IX | |||||||
| Max. Marks : 75 | |||||||
| 1. Reciting of Sollukattus for the prescribed talas with varities at-least in three speeds. 15 marks | |||||||
| 2. Ability to paly simple Sollukattus for Adi, Roopaka and Chapu tala varieties. | |||||||
| 15 marks | |||||||
| 3. Reciting the Sapta tala alankaras in three degrees of speed. 15 marks | |||||||
| 4. Questions based on the construction and playing techniques adopted in Khanjira | |||||||
| and Ghatam. 10 marks | |||||||
| 5. Ability to explain the special technical knowledge, employed in Mridangam and following it up with Tattakaram accompariment for Janta Swaras, Alankaras, Geetam and Swarajatis. 20 marks | |||||||
| 110 | |||||||
| CBSE CARNATIC MUSIC – Percussion Theory (Code No. 033) | |||||||
| Syllabus for Class – X | |||||||
| Periods : 135 Max. Marks : 25 | |||||||
| I. Knowledge about the structure and components of the instruments opted for. | |||||||
| II. Playing techniques adopted for Sapta tala alankaras in three speeds. | |||||||
| III. 16 Angas of Talas, Korvai, Koraippu etc. | |||||||
| IV. Basic knowledge of Jaati and Gati Bhedas or Variations. | |||||||
| V. A brief outline of different schools of playing Mridangam. | |||||||
| VI. Life sketch and contribution of | |||||||
| a. Palghat Mani Iyer and | |||||||
| b. Plani Subramania Pillai | |||||||
| VII. A short outline knowledge of principles of practical performance. | |||||||
| CARNATIC MUSIC – Percussion Theory (Code No. 033) | |||||||
| Format for Theory Examination for Class – X | |||||||
| Max. Marks : 25 | |||||||
| I. Illustration of the structure and components of the instruments with the help of a diagram. | |||||||
| II. Explanation of the playing techniques adopted for Sapta Tala alankaras in three speeds. | |||||||
| III. Knowledge of Shodasanga, Korvai, Kuraippu etc. | |||||||
| IV. Knowledge of Jaati and Gati bhedas. | |||||||
| V. Brief knowledge of different schools of Mridangam playing. | |||||||
| VI. Knowledge of life and contribution of Palghat Mani Iyer and Palani Subramaniam | |||||||
| Pillai. | |||||||
| VII. Outline knowledge of principles of Practical Performance. | |||||||
| Note : Examiners can put seven questions from the above topics and the candidates | |||||||
| should attempt five questions in all. All the questions carry equal marks. | |||||||
| 111 | |||||||
| CARNATIC MUSIC – Percussion Practical (Code No. 033) | |||||||
| Syllabus for Class – X | |||||||
| Periods : 405 Max. Marks : 75 | |||||||
| I. Knowledge of tuning Mridangam. | |||||||
| II. To prepare and play Sollukattu for Adi, Rupaka, Triputa and Khanda Chapu talas. | |||||||
| III. Accompaniment for musical form like Varnam, Kriti, jatiswaram, Padam and | |||||||
| Tillana. | |||||||
| IV. Knowledge to prepare Mohra and Morvai in Adi, Rupaka, Chapu and Triputa talas. | |||||||
| V. Play “Tani Avartanam” for at-least 6 to 8 avartanas in simple talas. | |||||||
| CARNATIC MUSIC – Percussion Practical (Code No. 033) | |||||||
| Format for Practical Examination for Class – X | |||||||
| Max. Marks : 75 | |||||||
| I. Ability to tune Mridangam. 10 marks | |||||||
| II. Ability to prepare and recity Sollukattu for Adi, Rupaka, Triputa and Khanda | |||||||
| Chapu talas. 20 marks | |||||||
| III. Knowledge about the way of accompaniment for musical froms like Varnam, kriti, Jatiswaram, Padam and Tillana. 15 marks | |||||||
| IV. Preparation of Mohra and Korvai in Adi, Rupaka, Triputa and Chapu talas. | |||||||
| 20 marks | |||||||
| V. Ability to play “Tani Avartanam” for at-least 6 to 8 avartanas in simple talas. | |||||||
| 10 marks | |||||||
| 112 | |||||||
To see the full specifications with in-depth details click here
Latest Govt Job & Exam Updates: