Secondary School Certificate Examination (IX-X) Carnatic Music Percussion 2018-19

CBSE Curriculum for Secondary School Certificate Examination (IX-X) Carnatic Music Percussion 2018-19

CARNATIC MUSIC Percussion – Theory (Code No. 033)(CBSE)
CBSE Syllabus for Class – IX
Periods : 135                                                                                    Max. Marks : 25
1.      Definition of the following terms :
Tala, Laya, Avartana, Kala, Kaala, Graha (Atita – Anagata – Sama), Nada, Sangeetam, Svara, Sthay Raga, Alankara, Arohana, Avarohana, Uttaranga and Purvanga.
2.      Brief history of Carnatic music with reference to Purandara Dasa, Tyagaraja, Muthuswamy, Dikshitar and Syama Sastry.
3.      Basic knowledge of opted instrument.
4.      Description and writing notation of sollukattus in Adi, Rupakam and chapu talas (all varieties).
5.      Brief lakshanas of musical forms – Geetam Svarajati, Varnam.
CARNATIC MUSIC – Percussion Theory (Code No. 033)
CBSE Format for Theory Examination for Class – IX
Max. Marks : 25
1. Life and constribution of any one of the compsers mentioned in topic II. 5 marks
2. Construction and playing techniques of opted percussion instrument 5 marks
3. Writing in notation, the Sollukattus for Adi/Roopakam/Chapu Talas 5 marks
4.      Briefly explaining the lakshanas of any one of the Musical Term from topic V
5 marks
5.      Writing short – notes on five technical terms from the syllabus               5 marks
Note : Examiner should give internal choice for all the question set up.
109
CBSE CARNATIC MUSIC – Percussion Practical (Code No. 033)
CBSE Syllabus for Class – IX
Periods : 405                                                                                    Max. Marks : 75
1.      Ability to recite Sollukattus for the prescribed talas with varieties and in at-least three speeds.
2.      Ability to play Sollukattus (simple) in Adi, Rupaka and Chapu Tala varieties.
3.      Reciting the Sapta Tala Alankaras in three degrees of speed.
4.      Questions based on the construction and playing techniques adopted for Kanjira
and Ghatam.
5. Basic technical knowledge adopted for Mridangam play and short bouts of accompanying in the format of Tattakaramas for Janta Svaras, Patterns, alankarams, geetam, svarajatis.
CBSE CARNATIC MUSIC – Percussion Practical (Code No. 033)
Format for Practical Examination for Class – IX
Max. Marks : 75
1.      Reciting of Sollukattus for the prescribed talas with varities at-least in three speeds.                                                                                               15 marks
2.      Ability to paly simple Sollukattus for Adi, Roopaka and Chapu tala varieties.
15 marks
3.      Reciting the Sapta tala alankaras in three degrees of speed.                 15 marks
4.      Questions based on the construction and playing techniques adopted in Khanjira
and Ghatam.                                                                                       10 marks
5. Ability to explain the special technical knowledge, employed in Mridangam and following it up with Tattakaram accompariment for Janta Swaras, Alankaras, Geetam and Swarajatis.                                                                     20 marks
110
CBSE CARNATIC MUSIC – Percussion Theory (Code No. 033)
Syllabus for Class – X
Periods : 135                                                                                    Max. Marks : 25
I.       Knowledge about the structure and components of the instruments opted for.
II.      Playing techniques adopted for Sapta tala alankaras in three speeds.
III.     16 Angas of Talas, Korvai, Koraippu etc.
IV.      Basic knowledge of Jaati and Gati Bhedas or Variations.
V.       A brief outline of different schools of playing Mridangam.
VI.     Life sketch and contribution of
a.      Palghat Mani Iyer and
b.      Plani Subramania Pillai
VII.    A short outline knowledge of principles of practical performance.
CARNATIC MUSIC – Percussion Theory (Code No. 033)
Format for Theory Examination for Class – X
Max. Marks : 25
I.       Illustration of the structure and components of the instruments with the help of a diagram.
II.      Explanation of the playing techniques adopted for Sapta Tala alankaras in three speeds.
III.     Knowledge of Shodasanga, Korvai, Kuraippu etc.
IV.      Knowledge of Jaati and Gati bhedas.
V.       Brief knowledge of different schools of Mridangam playing.
VI.     Knowledge of life and contribution of Palghat Mani Iyer and Palani Subramaniam
Pillai.
VII.    Outline knowledge of principles of Practical Performance.
Note : Examiners can put seven questions from the above topics and the candidates
should attempt five questions in all. All the questions carry equal marks.
111
CARNATIC MUSIC – Percussion Practical (Code No. 033)
Syllabus for Class – X
Periods : 405                                                                                    Max. Marks : 75
I.       Knowledge of tuning Mridangam.
II.      To prepare and play Sollukattu for Adi, Rupaka, Triputa and Khanda Chapu talas.
III.     Accompaniment for musical form like Varnam, Kriti, jatiswaram, Padam and
Tillana.
IV.      Knowledge to prepare Mohra and Morvai in Adi, Rupaka, Chapu and Triputa talas.
V.       Play “Tani Avartanam” for at-least 6 to 8 avartanas in simple talas.
CARNATIC MUSIC – Percussion Practical (Code No. 033)
Format for Practical Examination for Class – X
Max. Marks : 75
I.       Ability to tune Mridangam.                                                                  10 marks
II.      Ability to prepare and recity Sollukattu for Adi, Rupaka, Triputa and Khanda
Chapu talas.                                                                                       20 marks
III.     Knowledge about the way of accompaniment for musical froms like Varnam, kriti, Jatiswaram, Padam and Tillana.                                                          15 marks
IV.      Preparation of Mohra and Korvai in Adi, Rupaka, Triputa and Chapu talas.
20 marks
V.       Ability to play “Tani Avartanam” for at-least 6 to 8 avartanas in simple talas.
10 marks
112

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