UGC NET Exam November 2017 Hindustani Music Paper-2 Question Paper With Answer Key

HINDUSTANI MUSIC (VOCAL AND INSTRUMENTAL)

PAPER – II

Note : This paper contains fifty (50) objective type questions of two (2) marks each. All questions are compulsory.

1. Which one of the following does not belong to Kalyan Thata ?

(1) Chhayanat

(2) Kedar

(3) Shudha Kalyan

(4) Gorakh Kalyan

Answer: (4)

2. Ulhas Kashalkar is a disciple of :

(1) Gajanan Rao Joshi

(2) Bhimsen Joshi

(3) Anant Manohar Joshi

(4) Dhruva Tara Joshi

Answer: (1)

3. What is the meaning of the word ‘Dhadi’ ?

(1) Type of Geeti

(2) Type of Tala

(3) Tabla Player

(4) Community

Answer: (4)

4. Match the following :

Answer: (1)

5. Who among the following was not the disciple of Nirmal Shah ?

(1) Imdad Khan

(2) Bande Ali Khan

(3) Zafar Khan

(4) Sadiq Ali Khan

Answer: (4)

6. ‘Panchapani’ is a name of :

(1) Ancient Tala

(2) Sangit Grantha

(3) Raga

(4) Prabandha

Answer: (1)

7. Who is the Vichitra Vina player among the following ?

(1) Gulam Muhammad Khan

(2) Rajab Ali Khan

(3) Abdul Aziz Khan

(4) Asad Ali Khan

Answer: (3)

8. Select the correct group which depict Khayal singer of Agra Gharana :

(1) Natthan Khan, Vilayat Hussain Khan, Khadim Hussain Khan

(2) Enayat Hussain, Vishnudigambar, Nisar Hussain

(3) Rajabhaiya Puchhwale, Mushtaq Hussain, Ali bux Khan

(4) Abdul Wahid, Shankar Rao Pandit, Jasraj

Answer: (1)

9. The combination of the following notes is an example of which Varna ?

S R GG RG RS

(1) Arohi

(2) Avrohi

(3) Sanchari

(4) Sthayee

Answer: (3)

10. The combination of following notes belong to which raga ?

R R P, M P D N P, M (P) M

(1) Mian Malhar

(2) Sahana

(3) Bahar

(4) Gour Malhar

Answer: (4)

11. Which among the following is known as Biad Laya ?

(1) 

(2) 

(3) 

(4) 

Answer: (2)

12. The term ‘Gulu’ is related with :

(1) Tabla

(2) Sitar

(3) Flute

(4) Mridanga

Answer: (2)

13. The word ‘Humphit’ is related with :

(1) Shruti

(2) Swar

(3) Gamak

(4) Murchhana

Answer: (3)

14. Which swar is known as Adhwadarshak of the following ?

(1) Madhyam

(2) Pancham

(3) Shadja

(4) Dhaivat

Answer: (1)

15. Who is the author of the book ‘My music my life’ ?

(1) Ratanjankar

(2) Ravi Shankar

(3) Rabindranath Tagore

(4) Ali Akbar

Answer: (2)

16. Which among the following is the Ashraya raga ?

(1) Purvi

(2) Malkauns

(3) Ramkali

(4) Puriya

Answer: (1)

17. Number of matras of Chatusra Jati-Triputa tala is :

(1) 10

(2) 8

(3) 12

(4) 16

Answer: (2)

18. Select the statement which is not correct :

(1) ‘Raga-Dhyan’ theory is closely related to ‘Rasa-bhava’.

(2) Concept of ‘Raga-Ragini’ was prevalent in North and South both in medieval period.

(3) ‘Sangeet Darpan’ and ‘Sangeet Makrand’ are related to ‘Rag-Ragini’ Vargikaran.

(4) ‘Raga-Dyanas’ have been mentioned by Bharat.

Answer: (4)

19. Six ‘angas’ of Prabandha were necessary to remain in which ‘Jati’ ?

(1) Deepini

(2) Medini

(3) Bhavini

(4) Taravali

Answer: (2)

20. Which terms were used for the embellishment of notes in SamSangeet ?

(1) Alamban, Uddipan

(2) Vinat, Atyutkram

(3) Aakarsh, Vikarsh

(4) Sam, Visham

Answer: (2)

21. Which among the following scholars has not mentioned ’Janya-Janak-Vyavastha’ ?

(1) Hriday Narain Deo

(2) Shriniwas

(3) Lochan

(4) Matang

Answer: (4)

22. Which among the following factors are necessary for voice enhancement, according to Bhatkhande ?

(a) Proper Voice production

(b) Voice sustainability

(c) Breath control

(d) Technical understanding of ragas

Code :

(1) (b) and (d)

(2) (a), (b) and (d)

(3) (c) and (d)

(4) (a), (b) and (c)

Answer: (4)

23. Identify the raga, which does not have ’Pancham’ :

(1) Sohni

(2) Suha

(3) Gaud Malhar

(4) Bahar

Answer: (1)

24. Choose the odd :

(1) Roshanara Begum

(2) Bhimsen Joshi

(3) Gangu Bai Hangal

(4) Rehmat Khan

Answer: (4)

25. Which among the following pairs is not correct, according to the ‘Shruti-Swara-Sthanas’ of Lochan ? 

     Swara      Shruti
(1) Re      –        7
(2) Ma    –        13
(3) Pa     –        16
(4) Ni     –         22

Answer: (3)

26. Identify the note which separates Bihag and Bihagda :

(1) Re shudha

(2) Ma shudha

(3) Ni komal

(4) Ga shudha

Answer: (3)

27. ‘Ni Dha Ni Saɺ ’ phrase is commonly used in which of the following ragas ?

(a) Miyan Ki Sarang

(b) Miyan Malhar

(c) Bahar

(d) Sur Malhar

Code :

(1) (b) and (d)

(2) (a), (b) and (c)

(3) (b), (c) and (d)

(4) (a), (b) and (d)

Answer: (2)

28. Identify the following texts in chronological order :

(a) Anoop Sangeet Ratnakar

(b) Swar mela kalanidhi

(c) Ragtatvavibodh

(d) Brihaddeshi

Code :

(1) (d), (c), (a), (b)

(2) (d), (b), (a), (c)

(3) (c), (d), (a), (b)

(4) (a), (d), (c), (b)

Answer: (2)

29. Madhyamgramik ‘Pancham’ is :

(1) Shatshrutik

(2) Trishrutik

(3) Panchshrutik

(4) Chatuhshrutik

Answer: (2)

30. Aiming to the convenience of ‘Mela-Prastara’, which notes are termed as ‘Ra’, ‘Ri’, and ‘Ru’ ?

(1) Shudha rishabha, Panchshrutik rishabha and Chatuhshrutik rishabha

(2) Dwishrutik rishabha, Shudha rishabha and Chatuhshrutik rishabha

(3) Trishrutik rishabha, Chatuhshrutik rishabha and Panchashrutik rishabha

(4) Shudha rishabha, Panchshrutik rishabha and Shatshrutik rishabha

Answer: (4)

31. Identify the scholars, who have written annotation on Sangeet Ratnakar ?

(a) Kallinath

(b) Keshav

(c) Singh Bhupal

(d) Abhinavgupta

Code :

(1) (a), (b) and (c)

(2) (a), (c) and (d)

(3) (c) and (d)

(4) (a), (b) and (d)

Answer: (1)

32. If ‘Mandra Dha’ of Raga-Marva is considered as ‘Sa’, then which other raga will be obtained by the swarawali “Dha Ni Re Ga Ma’ Dha’’ ?

(1) Hansdhwani

(2) Bhupali

(3) Yaman

(4) Vrindavani Sarang

Answer: (2)

33. Who is the author of ‘Raga Vigyan’ ?

(1) Omkar Nath

(2) Vinayak Rao

(3) Lalit Kishore

(4) Vimal Kant

Answer: (2)

34. Match the following :

Answer: (3)

35. Match the following and choose the correct code :

Answer: (1)

36. The term Magadhi is a variety of which style ?

(1) Alap

(2) Khayal

(3) Prabandha

(4) Geeti

Answer: (4)

37. In Vishnudigambar Notation system which signs are used for Sam and Khali ?

(1) + and 0

(2) 0 and 1

(3) − and +

(4) 1 and +

Answer: (4)

38. Which classification has been given in Sangeet-Darpan ?

(1) Thata – Raga

(2) Raganga

(3) Purvang – Uttarang

(4) Shuddha – Chayalag – Sankirna

Answer: (4)

39. Bhatkhande has established Ten Thata on the basis of :

(1) Twenty Melas of Bhavbhatta

(2) Seventy Two Melas of Vyankatmakhi

(3) Twelve Sansthanas of Lochan

(4) Nine Melas of Shri Kanth

Answer: (2)

40. Which is found is Painting-Sculpture-Music ?

(1) Form – Content

(2) Tan – Medium

(3) Swar – Form

(4) Meend – Content

Answer: (1)

41. Sound Modulation produced by Musical Instruments is known as :

(1) Kshetra Kaku

(2) Raga Kaku

(3) Yantra Kaku

(4) Swar Kaku

Answer: (3)

42. In the Third Swasthan, rendering of Alaap is done on :

(1) Sthai Swara

(2) Dvigun Swara

(3) Dvayardha Swara

(4) Ardhasthit Swara

Answer: (4)

43. Which musical form gained popularity in Wajid Ali Shah’s Court ?

(1) Thumri

(2) Tarana

(3) Dhrupad

(4) Tappa

Answer: (1)

44. Total Number of swaras mentioned in Sangeet Ratnakar are :

(1) 21

(2) 19

(3) 17

(4) 26

Answer: (2)

45. Who is the author of ‘Dhrupad aur uska Vikas’ ?

(1) Acharya Kailash Chandra Dev Brahaspati

(2) Omkar Nath Thakur

(3) Thakur Jaidev Singh

(4) Man Singh Tomar

Answer: (1)

46. Which Text has been written by Shriniwas ?

(1) Sangeet Saramrit

(2) Sangeet Samaysar

(3) Rag Tattva Vibodh

(4) Rag Tarangini

Answer: (3)

47. Which of the following qualities a Vaggeyakar should possess ?

(1) Matu and Datu

(2) Tappa and Dance

(3) Folk Music and Thumri

(4) Laya and Tala

Answer: (1)

48. Qawwali form of Music was created by :

(1) Khusrao Khan

(2) Mohammad Shah Rangeeley

(3) Amir Khusrao

(4) Gopal Nayak

Answer: (3)

49. Which of the following is most important Component before starting the actual research work ?

(1) Appendix

(2) Bibliography

(3) Synopsis

(4) Foot Notes

Answer: (3)

50. Which is the wind instrument ?

(1) Nagara

(2) Jhanjh

(3) Kamaicha

(4) Nafeeri

Answer: (4)

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