MUSIC
Paper – III
(Hindustani / Karnatak / Rabindra Sangeet / Percussion Instrument – Vocal/ Instrumental and Musicology)
Special Instructions :
This paper has two parts. Part-I consists of 50 objective questions common to all, which is compulsory and carries 2 marks each.
Part – II has Four sections viz Part II, Part III, Part IV, Part V – Hindustani, Karnatak, Rabindra Sangeet and Percussion Instruments with 25 questions each of 2 marks each. Candidates should select any one of the Part II / Part III / Part IV / Part
V as per his / her discipline.
PART – I
Hindustani / Karnatak / Rabindra Sangeet / Percussion Instruments – Common to all
1. First person to play Indian Classical Music on Slide Guitar is
(A) Pt. Brij Bhushan Kabra
(B) Pt. Vishva Mohan Bhatt
(C) Pt. Varun Kumar Pal
(D) Nalin Kant Mukherjee
2. Correct Bols of Maseetkhani Gat are
(A) Dir Dir Da Dir Da Ra Da Ra
(B) Da Dir Dir Dir Da Dir Da Ra
(C) Dir Da Dir Da Ra Da Da Ra
(D) Dir Da Dir Da Ra Da Ra Da
3. Ravanhattha is a folk instrument of
(A) Punjab
(B) Kerala
(C) Madhya Pradesh
(D) Rajasthan
4. How many ‘Kakus’ are mentioned in ‘Sangeet Ratnakar’ ?
(A) 8
(B) 4
(C) 6
(D) 5
5. Which of the following is a famous dance of Manipur ?
(A) Navkuchiya
(B) Teratali
(C) Natuvangam
(D) Laiharoba
6. Which of the following is a famous Oddissi dancer ?
(A) Sitara Devi
(B) Charan Girdhar
(C) Kumudini Lakhiya
(D) Kelucharan
7. Which term was used for orchestra, in Bharat Muni’s Natyashastra ?
(A) Vitat
(B) Mandal
(C) Krushtha
(D) Kutap
8. As per Hindustani Music, what is the required interval between ‘Vadi’ and ‘Samvadi’ ?
(A) 9/12
(B) 10/14
(C) 9/13
(D) 7/11
9. The conclusive part of ‘Thumri’ is rendered with
(A) Rela
(B) Kayda
(C) Ladi laggi
(D) Jhala
10. Which of the following musician is famous for Thumri ?
(A) Saiduddin
(B) Fahimuddin
(C) Riyazuddin
(D) Bindadeen
11. Avirbhav in a raga is meant for which of the following ?
(A) Beginning of Raga
(B) Soulful presentation
(C) Reinstatement of Raga
(D) Spiritual presentation
12. What is the length of ‘Shudha Ni’ according to Ahobal, as per the method of placing the swaras on the 36″ wire of veena ?
(A) 20″
(B) 27″
(C) 32″
(D) 18″
13. Identify the correct order of tuning the four-string Tanpura :
(A) Madhya Pa, Tar Sa, Tar Sa, Madhya Sa
(B) Mandra Pa, Madhya Sa, Madhya Sa, Mandra Sa
(C) Mandra Pa, Tar Sa, Tar Sa, Mandra Sa
(D) Madhya Pa,Tar Sa, Tar Sa, Mandra Sa
14. Ustad Faiyaz Khan was an artist of
(A) Agra Gharana
(B) Gwalior Gharana
(C) Atrauli Gharana
(D) Bhendi Bazar Gharana
15. Nandikeshwar is the author of
(A) Raga Tatva Vibodh
(B) Raga Rahasya
(C) Rag Darpan
(D) Abhinaya Darpan
16. Jangda Geet is the folk form of
(A) Gujarat
(B) Punjab
(C) Rajasthan
(D) Uttar Pradesh
17. Vikrit Swar of Bharat
(A) Teevra Tar Ni
(B) Kaushik Ni
(C) Antar Gandhar
(D) Teevratam Dhaivat
18. Dominant chord is formed of
(A) Pa + Ni + Re
(B) Dha + Sa + Ni
(C) Ma + Dha + Sa
(D) Sa + Ga + Pa
19. Instrument of equally tempered scale
(A) Tanpura
(B) Violin
(C) Guitar
(D) Harmonium
20. What is the basis of classification of Swaras in tempered scale ?
(A) Major tone
(B) Minor tone
(C) Semi tone
(D) Half tone
21. No. of Sanchari Bhavas
(A) 23
(B) 13
(C) 33
(D) 43
22. The main characteristic of Chanda
(A) Varnic
(B) Matric
(C) Matra
(D) Layabaddhata
23. Which music journal is edited by Prof. R.C.Mehta ?
(A) Chayanut
(B) Sangeet Masik
(C) Kala Saurabh
(D) Journal of Indian Musicological Society
24. Bilawal as Shuddha Swar Saptak was first recognized in
(A) Chaturdandi Prakashika
(B) Nagmate Aasfi
(C) Sangeet Sar
(D) Sangeet Kalpdrum
25. Chenda is an instrument
(A) Cymbal
(B) Wind
(C) Percussion
(D) Melodic
26. Musical form similar to Jawalli
(A) Padam
(B) Kriti
(C) Tillana
(D) Daru
27. Jyākāra invented the
(A) Dundubhi
(B) Veena
(C) Ancient Harp
(D) Flute
28. Rag Bhairav corresponds to
(A) Mayamalavagoula
(B) Saveri
(C) Bhupalam
(D) Sriranjini
29. Jiva Svaras are
(A) Raga Chāya Svaras
(B) Nyasa Svaras
(C) Amsa Svaras
(D) None of the above
30. Misra Chapu Tala has
(A) 9 aksharakalas
(B) 6 aksharakalas
(C) 7 aksharakalas
(D) 8 aksharakalas
31. With which style of singing ‘EK TAAL’ is used ?
(A) Dhrupad
(B) Khayal
(C) Thumari
(D) Tappa
32. Writer of the book ‘Bhartiya Taalon ka Shashtriya Vivechan’
(A) Dr. Lal Mani Mishra
(B) Dr. Arun Kumar Sen
(C) Acharya K.C.D. Brihaspati
(D) Dr. Avan E. Mistri
33. Composition with Tihayee played three times
(A) Tihayee
(B) Tukada
(C) Rela
(D) Chakradar
34. The Book in which ‘Theka’ word is used for the first time
(A) Radha Govinda Sangeet Sar
(B) Sarmaye Isharat
(C) Sangeet Naad Vinoda
(D) Sangeet Kaladhar
35. Writer of the book ‘TABLA’
(A) Arvinda Mukherjee
(B) Arvinda Sharma
(C) Arvinda Mulgaonkar
(D) Arvinda Azad
36. In which Swar should Tabla be tuned for accompaniment ?
(A) Gandhar
(B) Madhyama
(C) Pancham
(D) Shadaj
37. Which style of singing is adorned with PARANAS ?
(A) Dhrupad
(B) Khayal
(C) Thumari
(D) Tappa
38. Which TAAL of Karnatak Taal system is depicted by the symbol of 101 ?
(A) Dhruva Taal
(B) Roopak Taal
(C) Mathya Taal
(D) Ek Taal
39. Most expandable composition of Tabla
(A) Quiada
(B) Tukada
(C) Mohara
(D) Kamali Chakradar
40. Match the following :
41. Who was not appointed as music teacher in the Tagore family ?
(A) Srikantha Singh
(B) Vishnu Chakravarti
(C) Jadu Bhatta
(D) Ramshankar Bhattacharya
42. Who was the second son of Maharshi Devendranath ?
(A) Jyotirindranath
(B) Satyandranath
(C) Hemendranath
(D) Rabindranath
43. Tagore family originally came from which place of ‘Bangladesh’ ?
(A) Maimansingh
(B) Chattagram
(C) Dhaka
(D) Jashore
44. What was the original surname of ‘Tagore’ before coming to Kolkata ?
(A) Dishari
(B) Kushari
(C) Dastidar
(D) Tripathi
45. Which song was composed by Rabindranath following his elder brother Jyotirindranath’s ‘He Antaryami, Trahi ___’ ?
(A) Kon Sundar Hote Amar
(B) Anander-I Sagar Hote
(C) E Parabase Robe Ke Hai
(D) Sakal Garba Dur Kori Dibo
46. Which percussion instrument is being used for accompaniment with Rabindra Sangeet ?
(A) Sarangi
(B) Esraj
(C) Mandira
(D) Sri Khol
47. Mention the name of Rabindra opera with a story related to Dasarath, king of Ayodhya & Rishi Kumar ?
(A) Mayar Khela
(B) Bhanu Singher Padavali
(C) Kal Mrigaya
(D) Chitrangada
48. Which one is the first ‘Pada’ of ‘Bhanu Singher Padavali’ ?
(A) Bose Achhi He Kobe
(B) Gahan Kusuma Kunja Mojhe
(C) Sono Tar Sudha Vani
(D) Sansare Tumi Rakhile
49. Which author is known for Ashtapadi ?
(A) Vyankatmukhi
(B) Jaydeva
(C) Ramamatya
(D) Lochan
50. What is the term for playing Tala on hand ?
(A) Panivadak
(B) Udgata
(C) Veenavadak
(D) Vitatvadak
PART – II
Hindustani Music
51. Main Singer of Samveda is known as
(A) Pratiharta
(B) Trigata
(C) Samvachik
(D) Udgata
52. Arrange the following forms in chronological order :
1. Rika
2. Khayal
3. Salagsuda
4. Dhrupad
5. Dhruva
(A) 5, 1, 4, 3, 2
(B) 1, 3, 4, 5, 2
(C) 1, 5, 3, 4, 2
(D) 1, 2, 4, 5, 3
53. Which of the following represents ‘Mewati Gharana’ ?
(A) Joti Ram – Moti Ram
(B) Chhannu Lal – Mishra Sen
(C) Rajan Mishra – Sajan Mishra
(D) Surinder Singh – Tejendar Singh
54. The title ‘Gana Saraswati’ was bestowed upon Sushri Kishori Amonkar by
(A) Ragasheela Saraswati
(B) Dayanand Saraswati
(C) Naad Saraswati
(D) Jagatguru Mahaswamiji of Shringeri Muth
55. Haveli Sangeet falls under which musical form ?
(A) Dhrupad
(B) Khyal
(C) Thumari
(D) Tappa
56. Which of the following is the biggest centre of Haveli-Sangeet at present ?
(A) Mathura
(B) Gokul
(C) Nathdwara
(D) Jaipur
57. Following Swara combination is of which Raga ?
Ma Dha Ni Dha Ma Ga
(A) Maru Bihag
(B) Hindol
(C) Kamod
(D) Multani
58. Following Swara combination is of which Raga ?
Ni Sa Ga Ma Pa Dha Pa
(A) Bhimplasi
(B) Bhairavi
(C) Multani
(D) Bilaskhani Todi
59. Write down the names of the following Scholars in chronological order :
(i) Parshwadev
(ii) Sharangdev
(iii) Matang
(iv) Ahobal
Codes :
(A) (ii), (iii), (i), (iv)
(B) (i), (iv), (iii), (ii)
(C) (ii), (iv), (iii), (i)
(D) (iii), (i), (ii), (iv)
60. Name the pair of playback singers in the film ‘Sur-Sangam’
(A) Gundecha Brothers
(B) Salamat Ali-Nazakat Ali
(C) Rajan-Sajan Mishra
(D) Singh Brothers
61. How many Brahamans are there in Samveda ?
(A) 6
(B) 8
(C) 7
(D) 9
62. Ranayani branch is related to
(A) Atharavveda
(B) Yajurveda
(C) Samveda
(D) None of these
63. The author of ‘Pranav Bharati’ is
(A) V.N. Bhatkhande
(B) Bholanath Bhatt
(C) Omkarnath Thakkur
(D) Ramashraya Jha
64. According to Solfa Notation system the swaras are known as
(A) Sa, Re, Ga, Ma, Pa, Dha, Ni
(B) C, D, E, F, G, A, B
(C) 1, 2, 3, 4, 5, 6, 7
(D) Do, Re, Me, Fa, Sol, La, Si
65. Which is the most suitable combination representing Malhar Ang is ?
(A) Re Ga Re Sa
(B) Ma Re Re Pa
(C) Pa Ga Ma Re Sa
(D) Dha Ni Re Sa
66. Who was the son of Alladia Khan ?
(A) Haddu Khan
(B) Manji Khan
(C) Mohammad Khan
(D) Ali Akbar Khan
67. Acharya K.C.D. Brahaspati belonged to which Gharana ?
(A) Kirana
(B) Rampur
(C) Gwalior
(D) Agra
68. Raga of Kalyan thaat having Rishabh Vadi
(A) Shuddha Kalyan
(B) Chayanut
(C) Kamod
(D) Yaman Kalyan
69. Which combination of Ragas belongs to Deogiri Bilawal ?
(A) Kalyan + Shuddha Kalyan + Nat.
(B) Saranga + Desh + Kalyan.
(C) Bilawal + Kalyan + Shuddha Kalyan.
(D) Khamaj + Kalyan + Malhar.
70. Who is the author of “Gharandar Gayaki” ?
(A) S.N. Ratanjankar
(B) Vaman Rao Deshpande
(C) Dr. Thakur Jaidev Singh
(D) Dr. Subhadra Chowdhury
71. Which musician of the films sang “Hori Ayi Re Kanhai Rang Barse, Suna De Jara Bansuri” ?
(A) Lata Mangeshkar
(B) Asha Bhonsle
(C) Suman Kalyanpur
(D) Shamshad Begum
72. Name the Kuchipudi Dancer
(A) Sonal Mansingh
(B) Swapna Sundari
(C) Shashwati Sen
(D) Kiran Sehgal
73. Author of “Kala Nidhi Grantha”
(A) Govind Dixit
(B) Parshvadeva
(C) Someshwar
(D) Kallinath
74. Author of “Music of Hindustan”
(A) William Johns
(B) Fox Strangeways
(C) E. Clements
(D) N. Augustus Williard
75. Who edited “Sahsaras” Grantha ?
(A) Krishnanand Vyas
(B) Dr. Premlata Sharma
(C) Parshvadeva
(D) Bhatta Shubhankar
PART – III
Karnatak Music
51. Thiruvattiyur Pancharatna
(A) Dikshitar
(B) Shyama Shastri
(C) Swati Thirunal
(D) Tyagaraja
52. Marga is an important part of
(A) Dasa Prana
(B) Yati
(C) Kriya
(D) Jati
53. Dikshitar’s ‘Chandram Bhaja Manasa’ is a Kiriti
(A) Nava Varna
(B) Panchalinga Sthala
(C) Nava Graha
(D) None from the given
54. Tiruvasagam was composed by
(A) Arunagirinathar
(B) Manikkavasagar
(C) Annamacharya
(D) Andal
55. Arrange the following in order of Parent scales :
(i) Hindolam
(ii) Vijaysri
(iii) Malaymarutam
(iv) Ananda Bhairavi
Codes:
(A) (iii), (ii), (i), (iv)
(B) (i), (iii), (iv), (ii)
(C) (i), (iii), (ii), (iv)
(D) (ii), (i), (iii), (iv)
56. Venkatesha Pancharatnam composer
(A) Swati Thirunal
(B) Vina Kuppaiyar
(C) Mahavaidyanatha Iyer
(D) None of the above
57. Which is not a Pancha Dasa Gamaka ?
(A) Andolita
(B) Tribhinna
(C) Ahata
(D) Tripuscha
58. Kavi Kunjara Bharati has composed
(A) Daru
(B) Todaya Mangalam
(C) Ashtap di
(D) Sarabhendra Bhupala
59. Match the following :
60. Assertion (A) : Devotion and Music have traversed together since time immemorial.
Reason (R) : Vedas glorify Gods.
Codes :
(A) Both (A) and (R) are true.
(B) (A) is true, (R) is false.
(C) (A) is false, (R) is true.
(D) Both (A) and (R) are false.
61. Write the correct sequencing :
(A) Raga Vibodha, Sangita Ratnakara, Swaramela Kalanidhi, Chaturdandi Prakasika, Dattilam.
(B) Dattilam, Chaturdandi Prakashika, Sangita Ratnakara, Raga Vibodha.
(C) Sangita Ratnakara, Dattilam, Swaramela Kalanidhi, Chaturdandi Prakashika.
(D) Dattilam, Sangita Ratnakara, Swaramela Kalanidhi, Chaturdandi Prakashika.
62. Padam ‘Aliveni Entu Chaiwo’ is composed by
(A) Kshetregna
(B) Swati Tirunal
(C) Irayimman Tampi
(D) Annamacharya
63. Match the following :
64. Papanasa Sivan composed
(A) Marivere dikyavaru
(B) Ma ramanan
(C) Gopalaka pahimam
(D) None of the above
65. Sadir Nritya is known as
(A) Bhartanatyam
(B) Mohiniyattam
(C) Kuchipudi
(D) Kavadi Chindu
66. Composer of Melaragamaleka
(A) Patnam Subramanyam Iyer
(B) Maha vaidyanatha Iyer
(C) Maha vishwanatha Iyer
(D) Madhurai Mani Iyer
67. Assertion (A) : Tanjore Vina is also known as the Saraswati Vina.
Reasoning (R) : Vina and Yazh developed side by side.
Codes :
(A) Both (A) & (R) are false.
(B) (A) is true, (R) is false.
(C) (A) is false, (R) is true.
(D) Both (A) and (R) are true.
68. ‘Sita Rama Vijayam’ of Tyagaraja is a
(A) Kriti
(B) Opera
(C) Utsava Sampradaya Kriti
(D) Bhajana
69. Tillana Daru is a
(A) Divyanama Kirtana
(B) Samkirtana
(C) Misra Prabandha
(D) Ugabhoga
70. Vijaya Raghava Pancharatna’s composer is
(A) Kshetregna
(B) Annamacharya
(C) Narayana Tirthar
(D) Tyagaraja
71. Annamacharya’s composition are also known as
(A) Srinagara Kirtanas
(B) Churnikas
(C) Dandakams
(D) Daru
72. Rudra Veena is also known as
(A) Saraswati Veena
(B) Mahati Veena
(C) Yazh
(D) None of the above
73. Tanjore Krishna Bhagavatar was famous for
(A) Kalakshepam
(B) Dandakam
(C) Pallavi
(D) Padam
74. ‘Chetasri’ in Dvijavanti is modelled after
(A) Khayal
(B) Tappa
(C) Dhrupad
(D) Abhang
75. Prathamanga and Dvitiyanga are parts of
(A) Raga alapana
(B) Varnam
(C) Kuravanji
(D) Rága Tanam Pallavi
PART – IV
Rabindra Sangeet
51. Which ‘Tal’ was created by Tagore in 3/2/3 divisions ?
(A) Jhampak
(B) Khemta
(C) Rupak
(D) Rupakda
52. ‘Marana re, Tuhu mama Shyam Saman’ – song is from which opera ?
(A) Valmiki Pratibha
(B) Bhanu Singher Padabali
(C) Kal Mrigaya
(D) Mayar Khela
53. To whom Tagore mentioned as ‘the curator of all of my songs’ ?
(A) Abanindranath
(B) Dwijendranath
(C) Dinendranath
(D) Sourindranath
54. Mention the style of the following Rabindra Sangeet Compositions :
‘Amar Mallika Bane’ …or ‘Sakhi
Bahe Gelo Bela…..’
(A) Baul
(B) Lok Geet
(C) Kirtan
(D) Thumri
55. Which one of the following mishraraga was not created by Tagore for his composition ?
(A) Kafi-Kanda
(B) Sohini-Kalingra
(C) Bhup-Kalyan
(D) Pilu-Barwa
56. Which type of singing influenced Tagore mostly in his compositions ?
(A) Khyal
(B) Thumri
(C) Dhrupad
(D) Lok-Geet
57. ‘Tomar Geeti, Jagalo Smriti’ belongs to which category of Rabindra Sangeet ?
(A) Prakriti
(B) Prem
(C) Puja
(D) Baul
58. Who was the author of the book ‘Rabindra-Smriti’ ?
(A) Amiya Tagore
(B) Sahana Devi
(C) Indira Devi Choudhurani
(D) Kanak Biswas
59. The following songs are based on which raga ?
(i) Majhe Majhe Taba Dekha Pai
(ii) Achho Antare Chirodin
(iii) Bendhechho Premer
(iv) Pratidin Ami He
Codes :
(A) Gaud Mallhar
(B) Khamaj
(C) Kedara
(D) Kafi
60. The song ‘Simar Majhe Asim Tumi’ is based on which raga ?
(A) Jai Jayanti
(B) Todi
(C) Chhayanat
(D) Paraj
61. The song ‘Aji Pranami Tomare…’ is based on which raga ?
(A) Paraj
(B) Bibhas
(C) Bihagada
(D) Bhairavi
62. Which ‘Gharana’ or style of Hindustani vocal tradition influenced Tagore mostly in his compositions ?
(A) Banaras Gharana
(B) Kirana Gharana
(C) Gwalior Gharana
(D) Vishnupur Gharana
63. Which ‘Prohibited note’ was used in his composition ‘Tomaro Ashime’ in raga ‘Bihag’ by Tagore ?
(A) Komal ‘Re’
(B) Komal ‘Ga’
(C) Komal ‘Dha’
(D) Komal ‘Ni’
64. According to the Tagore, which one is the correct division for accompaniment with Rabindra Sangeet in ‘Ada-Chautal’ ?
(A) 2 + 2 + 2 + 2 + 2 + 2 + 2
(B) 2 + 3 + 2 + 2 + 3 + 2
(C) 2 + 4 + 4 + 4
(D) 3 + 2 + 2 + 3 + 2 + 2
65. According to the Tagore, how many divisions are in Sur-faktal ?
(A) 3
(B) 4
(C) 5
(D) 2
66. How many songs were not composed by Rabindranath in ‘Geetanjali’ out of a total 157 number of songs ?
(A) 57
(B) 61
(C) 71
(D) 76
67. Which of the following is being used to play Esraj ?
(A) Plectrum
(B) Java
(C) Stick
(D) Bow
68. Who used to make suitable lyrics to Jyotirindranath’s compositions other than Rabindranath ?
(A) Nabo Gopal Mitra
(B) Akshay Choudhury
(C) Indira Devi
(D) Radhika Prasad Goswami
69. How many ‘Padas’ were included in ‘Bhanu Singher Padabali’ ?
(A) 42
(B) 32
(C) 22
(D) 18
70. Match the following Talas in terms of their total number of ‘Matra’ :
71. Who was felicitated by Rabindranath with the title ‘Swar Saraswati’ ?
(A) Jadu Bhatt
(B) Gyanendra Prasad Goswami
(C) Gopeswar Bandopadhayay
(D) Radhika Prasad Goswami
72. Who was the teacher of Sourindra Mohan Tagore and Kali Prasanna Bandopadhayay ?
(A) Gyanendra Prasad Goswami
(B) Radhika Prasad Goswami
(C) Kshetra Mohan Goswami
(D) Girija Shankar Chakravarthy
73. ‘Tumi Sandhyar Megha Mala …’ song is based on which Tal ?
(A) Ektal
(B) Kaharwa
(C) Kawali
(D) Teental
74. ‘Naba Anande Jago’ song is based on which raga ?
(A) Todi
(B) Gurjari Todi
(C) Bhairavi
(D) Asavari
75. ‘He Mor Debata ..’ based on which Tal ?
(A) Jhaptal
(B) Sur-faktal
(C) Teental
(D) Ektal
PART – V
PERCUSSION
51. Aadi-Deva of Avanaddha Vadyas
(A) Brahma
(B) Vishnu
(C) Mahesh
(D) Ganesh
52. The percussion instrument used with ‘Lawani’ of Maharashtra is
(A) Changa
(B) Upanga
(C) Dholak
(D) Naal
53. The fraction depicting Layakari of Ku-aad
(A) 3/4
(B) 5/4
(C) 7/4
(D) 9/4
54. Assertion (A) : The mukh (basic) of Quaida is played in dugun/chougun and after improvisations it ends with a Tihai.
Reason (R) : Because Quaida is a non-expandable composition.
Codes :
(A) (A) correct, (R) wrong.
(B) (A) correct, (R) correct.
(C) (A) wrong, (R) correct.
(D) (A) wrong, (R) wrong.
55. Lakshan of Shatpitaputraka Tal is
56. Alla Rakkha Khan belongs to Gharana of
(A) Delhi
(B) Lucknow
(C) Farukhabad
(D) Punjab
57. On which part ‘M’ Varna is played of ‘Dhumakit’ ?
(A) Chaanti
(B) Syahi
(C) Lava
(D) Gajara
58. Tabla player who was famous for composing jodas of Gat
(A) Haji Vilayat Ali
(B) Salari Miyan
(C) Sidhar Khan
(D) Gudai Maharaj
59. A phrase of tabla syllables played three times is called
(A) Tihai
(B) Chakradar
(C) Gat
(D) Theka
60. Artist who had command equally over Tabla and Pakhawaj both
(A) Laljee Gokhale
(B) Ismail Daddukhan
(C) Prem Vallabha
(D) Rosevel Layal
61. First well-known lady tabla player
(A) Dr. Yogmaya Shukla
(B) Dr. Aban E.Mistri
(C) Rimpa Shiva
(D) Anuradha Pal
62. Match the following :
63. The form of Rupak tal in Karnatak system
(1) 
(2) 
(3) 
(4) 
64. Composition played in uninterrupted flow set in fast tempo
(A) Peshkar
(B) Rela
(C) Bant of Theka
(D) Tihai
65. Tilwada Theka accompanies the singing style of
(A) Thumri
(B) Ghazal
(C) Bada Khyal
(D) Chhota Khyal
66. Awap is a
(A) Nibaddha Kriya
(B) Nishabd Kriya
(C) Sashabd Kriya
(D) Alap-gan
67. Total number of Dha and Dhin syllables are used in the Theka of Trital
(A) 6 Dha – 6 Dhin
(B) 7 Dha – 7 Dhin
(C) 7 Dha – 6 Dhin
(D) 6 Dha – 7 Dhin
68. Taal having four talies and three khaleis
(A) Chautaal
(B) Ada-Chautaal
(C) Vasant Taal
(D) Ek-Taal
69. Raja Chhatrapati Singh played
(A) Tabla
(B) Pakhawaj
(C) Nakkara
(D) Dukkada
70. Ustad Haji Vilayat Ali was the founder of which Gharana of Tabla ?
(A) Delhi
(B) Punjab
(C) Lucknow
(D) Farukhabad
71. To set Jhaptaal in the span of Ektaal (From Sam to Sam) causing layakari of
(A) 5/6
(B) 6/5
(C) 5/4
(D) 6/4
72. Gopuchha is a kind of
(A) Jati
(B) Gati
(C) Graha
(D) Yati
73. A small and attractive composition on Tabla to catch the sam.
(A) Tukda
(B) Mukhada
(C) Gat
(D) Tihai
74. Writer of the book “Pakhawaj Aur Tabla Ke Gharane Avam Paramparaen’
(A) Yogmaya Shukla
(B) Aban E. Mistri
(C) Madhukar Ganesh Godbole
(D) Girish Chandra Srivastava
75. Writer of the book ‘Mridanga-Sagar’
(A) Ghanshyam Das
(B) Purushotam Das
(C) Bhagwan Das
(D) Gopal Das
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