UGC NET Exam June 2014 Music Paper-2 Question Paper With Answer Key

MUSIC

Paper – II

Hindustani / Karnatik / Rabindra Sangeet

(Vocal, Instrumental & Musicology and Percussion Instrument) 

Special Instructions

Note : Candidates are required to answer all the 25 questions in Part – I, which are compulsory. They should select any one of the groups from Part – II, Part – III, Part – IV, Part – V and answer all the 25 questions in that part. 
Each question carries two (2) marks.

PART – I

Common to Hindustani / Karnatik / Rabindra Sangeet / Percussion Instrument.

1. Who is the author of ‘Raga Darpan’ ?

(A) Narad

(B) Bharat

(C) Faquirulla

(D) Matang

Ans: (C)

2. ‘Akhtari Bai’ was known as

(A) Akhtari Devi

(B) Bai Akhtari

(C) Begum Parveen Sultana

(D) Begum Akhtar

Ans: (D)

3. Match the followings :

Ans: (A)

4. Where is Rai Umanath Bali Auditorium ?

(A) Patna

(B) Jaipur

(C) Lucknow

(D) Delhi

Ans: (C)

5. Whose statement is ‘Chatushchatush chatushchaiwa’ ?

(A) Narad

(B) Lochan

(C) Matang

(D) Bharat

Ans: (A)

6. Who is the tikakar of ‘Sangeet Rathakar’ ?

(A) Singh Bhupal

(B) Sharangadev

(C) Lochan

(D) Narad

Ans: (A)

7. What is the name of Moghubai Kurdikar’s daughter ?

(A) Begam Akhtar

(B) Shobha Gurtu

(C) Kishori Amonkar

(D) Keserbai Kerkar

Ans: (C)

8. Which are the five parts of ‘Saam Gayan’ ?

(A) Prastava, Udgeeth, Pratihar, Upadrav, Nidhan

(B) Stom, Raivat, Arka, Bhadra, Stotra

(C) Udgeeth, Prastava, Pratihar, Upadrav, Nidhan

(D) Pratihar, Prastava, Upadrava, Udgeeth, Nidhan

Ans: (A)

9. Which are the four Ritwijs of Yajurveda ?

(A) Hota, Ardhwayu, Udgata, Brahma

(B) Verup, Raiwat, Arka, Bhadra

(C) Hota, Arka, Bhadra, Brahma

(D) Brahma, Vishnu, Mahesh, Gauri

Ans: (A)

10. Which are two parts of Samveda ? 

(A) Aarchik, Gana

(B) Gatha, Gana

(C) Aarchik, Gatha

(D) Gatha, Geet

Ans: (A)

11. What is festival music of Vedic age ? 

(A) Sohar

(B) Saman

(C) Jhumar

(D) Gazal

Ans: (B)

12. The 35 Talas of Karnatik Music 

(A) Shadangas

(B) Shoshadangas

(C) Sapta Sooladi talas

(D) Dhruva Talas

Ans: (C)

13. Eminent scholar recipient of Padma Vibhushan

(A) P. Sambamoorty

(B) S.K. Saxena

(C) Kapila Vatsayan

(D) R.C. Mehta

Ans: (C)

14. Ragam Tanam Pallavi was systematized by

(A) Tyagaraja

(B) Pachimiriyam Adiyapayya

(C) Mahavaidya Natha Iyer

(D) Vadivelu

Ans: (B)

15. Which is not a dandi in Chaturdandi Prakasika ?

(A) Gita

(B) Sthayi

(C) Thaya

(D) Alapa

Ans: (B)

16. Eminent violinist of south who passed away in 2012

(A) Lalgudi Jayaraman 

(B) Chowdaiah

(C) M.S. Gopalakrishnan

(D) Erode Vishwanatha Iyer

Ans: (A)

17. Place in order and select the correct combination from the code below :

i. Rabindranath Tagore

ii. Jadu Bhatt

iii. Shailajaranjan Majumder

iv. Dinendranath Tagore

Codes :

(A) i ii iv iii

(B) ii iv i iii

(C) iv i iii ii

(D) ii i iv iii

Ans: (D)

18. ‘Amar Sakal Dukher Pradeep’ – this Rabindranath Sangeet is based on which Mishra Raga ?

(A) Maru-Kedara

(B) Pilu-Barowa

(C) Bhimpalashri-Multani

(D) Yaman-Purbi

Ans: (C)

19. The song ‘Ore-Grihabasi, Khol Dwar Khol’ was written and composed for which festival ?

(A) Griha Pravesh

(B) Hemant Utsav

(C) Holi

(D) Birthday

Ans: (C)

20. Who was the contemporary musician of ‘Vishnupur Gharana’ along with Ramshankar Bhattacharya ?

(A) Ramprasanna Bandopadhya

(B) Gopeshwar Bandopadhya

(C) Gadadhar Chakraborty

(D) Jadu Bhatt

Ans: (D)

21. Who was the teacher of the following Rabindra Sangeet artists Kanika Bandopadhya & Subinoy Roy ?

(A) Rabindranath

(B) Dinendranath

(C) Sahana Debi

(D) Shailajaranjan Majumder

Ans: (D)

22. What is the name of the Guru of Ustad Habibuddin Khan ?

(A) Ustad Munir Khan

(B) Ustad Manju Khan

(C) Ustad Shamban Khan

(D) Ustad Hazi Vilayat Ali Khan

Ans: (C)

23. First Padamvibhushan in Tabla playing :

(A) Ustad Allahrakha Khan

(B) Pt. Shamata Prasad Mishra

(C) Pt. Kishan Maharaj

(D) Ustad Zakir Hussain

Ans: (C)

24. In which Gharana Stuti paran is played ?

(A) Lucknow Gharana

(B) Delhi Gharana

(C) Banaras Gharana

(D) Farurkhabad Gharana

Ans: (C)

25. What is the full name of Swami Pagal Dasji ?

(A) Shri Ram Das Sharma

(B) Shri Dal Chand Sharma

(C) Shri Ram Shankar Das

(D) Shri Shankara Das

Ans: (C)

PART – II

Hindustani Music (Vocal / Instrumental)

26. Aakshiptikaa of Sangeet Ratnaakar is

(A) Dhruva

(B) Kapaalgaan

(C) Bhinna Shadaj

(D) Mattacheshtit

Ans: (D)

27. Which of the following pairs is matched correctly ?

(A) Jatiswaram and Swarjati

(B) Varnam and Padam

(C) Keertan and Kriti

(D) Devaaram and Daru

Ans: (C)

28. Mention of ‘Kudukka’ taal was made in which era ?

(A) 13th century

(B) 8th century

(C) 16th century

(D) 7th century

Ans: (A)

29. The part of Yati is _________ 

(A) Trividh

(B) Chaturvidh

(C) Dwividh

(D) Panchvidh

Ans: (D)

30. Which of the following two Raagas are in the combination of ‘Aheer Bhairav’ ?

(A) Bhairav + Aheer

(B) Bhairav + Baageshri

(C) Bhairav + Des

(D) Bhairav + Kaafi

Ans: (D)

31. In ancient times, the theoretical aspect of Music was called

(A) Lakshya

(B) Siddhaant

(C) Shaastra

(D) Lakshan

Ans: (D)

32. Which of the following ‘Tala’, is used both in Indian classical style and Rabindra Sangeet both by the same name ?

(A) Khemta

(B) Kriti

(C) Chaturang

(D) Saadara

Ans: (A)

33. Which author has used ‘Pratapprithvibhuja’ as a name for himself ?

(A) Matang

(B) Narad

(C) Someshwar

(D) Jagdevmalla

Ans: (D)

34. Who has said ‘Panch Mahashabda’ for five kinds of instruments ?

(A) Parshwadev

(B) Jagadekmalla

(C) Nanyadev

(D) Sharangdev

Ans: (B)

35. Name the author of Karnataka heredity :

(A) Jyotiriswara

(B) Nanya Dev

(C) Acharya Vrihaspati

(D) Bharat

Ans: (B)

36. What is ‘Padarth Sangrah’ in some treatises of music ?

(A) Subject analysis of the text

(B) Abstract of the content of the book

(C) Short description of subject in the text

(D) Conclusion

Ans: (B)

37. In which treatise, chapters have been called ‘Ratnakosh’ ?

(A) Sangit Darpan

(B) Sangit Parijat

(C) Sangit Raj

(D) Sangit Ratnakar

Ans: (C)

38. Who of the following is a Jain author ? 

(A) Nanya Dev

(B) Someshwar Dev

(C) Parshva Dev

(D) Sharang Dev

Ans: (C)

39. Which is the group of Jatis of Swara-Saadhaaran as discussed by Bharat ?

(A) Shadaj, Madhyam, Pancham

(B) Raktagandhari, Panchami, Madhyama

(C) Madhyami, Panchami, Shadajmadhyama

(D) Gandhari, Naishadhi, Andhri 

Ans: (C)

40. Matang has placed ‘Takk’ in which group ?

(A) Bhasha Raga

(B) Vibhasha Raga

(C) Antarbhasha Raga

(D) Gram Raga

Ans: (C)

41. In Brihaddesi in Gram Ragas, how many Bhashas are there ?

(A) 72

(B) 73

(C) 74

(D) 75

Ans: (B)

42. What is ‘Ela’ ?

(A) Jati

(B) Moorchhana

(C) Prabandh

(D) Alankar

Ans: (C)

43. What is the name of the son of Someshwar Dev, the author of ‘Mansollas’ ?

(A) Vikramank Dev

(B) Bhoomall

(C) Jagadekmall

(D) Hridaynarayan

Ans: (C)

44. Match the followings :

Ans: (A)

45. Lochan has made a mention of which another treatise in his book Raag Tarangini ?

(A) Naatyashaastra written by Bharat

(B) Raag Sangeet Samgrah

(C) Sangeet Chintaamani

(D) Maankutuhal

Ans: (B)

46. In which treatise-group, chapters have been named as ‘Prakaran’ ?

(A) Sangeet Ratnaakar – Raagtattvavibodh, Chaturdandiprakaashika

(B) Naatyashaastra – Naardeeya shikshaa – Sangeet darpan

(C) Sangeet chintaamani – Sangeet Vishaarad, Sangeet Sampadaa

(D) Raag Vishaarad – Raag Vigyaan – Raag Praveen

Ans: (A)

47. Who of the following classified Raaga-Raagini and Putta Raag ?

(A) Pt. Lochan

(B) Pt. Pundarik Vilthal

(C) Pt. Ramamatya

(D) Pt. Ahobal

Ans: (B)

48. Which of the following treatise is written by Viroopaksha ?

(A) Taalchandrikaa

(B) Aanand Sanjeevan

(C) Taal Lakshanam

(D) Sangeet Saaroddhaar

Ans: (A)

49. Which author is known as Abhinav Bharataachaarya ?

(A) Bharat

(B) Maharaanaa Kumbhaa

(C) Kohal

(D) Abhinavgupta

Ans: (B)

50. Who has said Gaandhaar Gram as ‘Famous in Kashmir’ ?

(A) Maharaja Kumbhkarna

(B) Maharaja Maansingh

(C) Maharaja Naanyadev

(D) Maharaja Harisingh

Ans: (A)

PART – III

Karnatik Music (Vocal, Instrumental, Percussion)

26. Thiruvattiyur Pancharatna is composed in praise of

(A) Tripura Sundari

(B) Thiruvattar

(C) Sundaresa

(D) None of the above

Ans: (A)

27. Varali Raga is a

(A) Murchanakaraka Mela

(B) Mela Raga

(C) Amurchanakaraka Mela

(D) Bhashanga Raga

Ans: (C)

28. Trayodasa Lakshana includes 

(A) Apanyasa

(B) Nyasa

(C) Vinyasa

(D) All the above

Ans: (D)

29. The first section of the Raganga Raga Lakshana Gita ?

(A) Lakshana Khanda

(B) Sutra Gita

(C) Katapayadi

(D) Sutra Khanda

Ans: (D)

30. Attoor Krishna Pisharoti is the author of

(A) Sangita Saramrita

(B) Sangita Chandrika

(C) Sangita Sudha

(D) Sangita Raja

Ans: (B)

31. The resonator of Yazh was called as 

(A) Ghatam

(B) Kumbham

(C) Pattar

(D) Kudam

Ans: (C)

32. The original name of Manickavasagar was

(A) Thiruvasagar

(B) Srinivasa

(C) Manikkam

(D) Vadavurar

Ans: (D)

33. Shiva Navavarnam is composed in praise of

(A) Kalahasti

(B) Tyagaraja of Thiruvarur

(C) Saint Tyagaraja

(D) None of the above

Ans: (B)

34. Gauri Nayaka is a famous tillana of

(A) Maha Vaidyanath Iyer

(B) Pallavi Seshayyar

(C) Ramnad Srinivas Iyengar

(D) Kundrakudi Krishnayyar

Ans: (A)

35. Match the followings :

Ans: (B)

36. Write the correct sequence :

(A) Brahma, Vasu, Disi, Aditya

(B) Vasu, Brahma, Disi, Aditya

(C) Brahma, Disi, Aditya, Vasu

(D) Brahma, Disi, Rudra, Aditya

Ans: (D)

37. Assertion and Reasoning : Assertion (A) : Consonance is universal in its application. 

Reason (R) : In Western music vertical consonance is followed.

(A) (A) false, (R) true

(B) (A) true, (R) true

(C) (A) true, (R) false

(D) (A) false, (R) false

Ans: (B)

38. Match the followings :

Ans: (C)

39. Assertion and Reasoning :

Assertion (A) : Mela superseded Kutapa during medieval period.

Reason (R) : Kutapa provided accompaniment to drama in ancient times.

(A) (A) is true, (R) is false. 

(B) (A) is false, (R) is true.

(C) Both (A) and (R) are true.

(D) Both (A) and (R) are false.

Ans: (C)

40. Kathakali evolved from 

(A) Koodiattam

(B) Krishnattam

(C) Bhagavata Mela Natakam

(D) Kaikotti Kali

Ans: (B)

41. Kavikunjara Bharati is the composer of

(A) Padam

(B) Samudaya Kritis

(C) Kuravanji

(D) Thirupugazh

Ans: (C)

42. Tick the odd one : 

(A) Chatusra Matya

(B) Misra Jhampa

(C) Misra Triputa

(D) Tisra Ata

Ans: (C)

43. Melattur is noted for

(A) Geya natakas

(B) Nritya natakas

(C) Pancha Mukha Vadya

(D) Kolattam

Ans: (B)

44. Arrange the following in correct order :

i. Abhinava Gupta

ii. Somanatha Kavi

iii. Ilango Adikal

iv. Pundarika Vithala

Codes :

(A) i iii iv ii

(B) ii i iii iv

(C) iii i ii iv

(D) i ii iii iv

Ans: (C)

45. Koothambalam is modelled as per the specifications given in

(A) Natya Shastra

(B) Tandava Lakshana

(C) Abhinaya Darpana

(D) Hasta Lakshana Deepika

Ans: (A)

46. Name of the Raga svaras sa, ru, gu, mi, dhi, ni

(A) Rasikapriya

(B) Kosalam

(C) Rishabhapriya

(D) Nasika Bhushani

Ans: (D)

47. The Pann, Kaushikam is closer to the raga

(A) Kamboji

(B) Bhairavi

(C) Neelambari

(D) Kharaharapriya

Ans: (B)

48. The emergence of fretted vina came during the period of

(A) Serfojee

(B) Tulaja

(C) Raghunath Naik

(D) Shahji

Ans: (C)

49. Todaya Mangalam is composed by

(A) Annamacharya

(B) Tallapakam Chinnaya

(C) Svati Thirunal

(D) Purandara Dasa

Ans: (B)

50. Sri Sukra Bhagavantam is a

(A) Navagraha Kirtana

(B) Nava Varna

(C) Nava Ratna Malika

(D) Navasandhi Natanam

Ans: (A)

PART – IV

Rabindra Sangeet

26. Match the following songs according to their categories :

Ans: (C)

27. Which song is based on ‘Nabatal’ among the following ?

(A) Swami Tumi Eso Aaj

(B) Prabhate Bimalo Anande

(C) Nibira Ghano Andhare Jalichhe Druvatara

(D) Gabhir Rajani Namilo Hridaye

Ans: (C)

28. Which Tala has the 8 (eight) matras among the following :

(A) Jhampak

(B) Rupakda

(C) Teora

(D) Khemta

Ans: (B)

29. The book ‘Pitri-Smriti’ was written by

(A) Rabindranath Tagore

(B) Rathindranath Tagore

(C) Abanindranath Tagore

(D) Dinendranath Tagore

Ans: (B)

30. Pick up the odd one (Tala) from the following options :

(A) Jhaptal

(B) Jhampak

(C) Sultal

(D) Sur Fhanktal

Ans: (B)

31. How many divisions (Bibhag) are in Tagore’s Sur fhanktal ?

(A) 4

(B) 5

(C) 3

(D) 2

Ans: (C)

32. 

Which tala it is ?

(A) Sur fhanktal

(B) Ada Theka

(C) Ekadashi

(D) Ada chautal

Ans: (C)

33. ‘Madhyaman’ Tal has the following number of matras :

(A) 10

(B) 12

(C) 14

(D) 16

Ans: (D)

34. Which one has the equal number of matra along with ‘Dhamar’ ?

(A) Jat Tal

(B) Ada Chautal

(C) Chautal

(D) Naba Pancha

Ans: (B)

35. According to ‘Akarmatrik Swarlipi’ system, sign of one matra is

(A) :

(B) Y

(C) X

(D) –

Ans: (B)

36. Match the following according to the right code : 

Ans: (A)

37. Arrange the following in accordance with the creation of Dance-Drama by R.N. Tagore :

i. Mayar-Khela

ii. Balmiki Pratibha

iii. Kalmrigaya

Codes :

(A) i iii ii

(B) ii iii i

(C) i ii iii

(D) iii i ii

Ans: (B)

38. Identify the ‘Raga’ of the song ‘Naba Anande Jago Aaji…’

(A) Bilawal

(B) Todi

(C) Yaman Kalyan

(D) Lalit

Ans: (B)

39. Identify the ‘Tala’ of the song ‘Vishwa Sathe Joge Jethay’

(A) Kaharwa

(B) Dadra

(C) Trital

(D) Teora

Ans: (A)

40. The song ‘Vishwa Jakhan Nidra Magan’ is set to which ‘Tala’ ?

(A) Teora

(B) Dadra

(C) Ektal

(D) Jhaptal

Ans: (C)

41. Identify the ‘Raga’ and ‘Tala’ of the song ‘Antare Jagichho Antaryami’

(A) Bageshree / Teental

(B) Khamaj / Dadra

(C) Bilawal / Rupak

(D) Bihag / Jhaptal

Ans: (D)

42. Identify the ‘Raga’ & ‘Tala’ of the song ‘Antaro Mamo Bikoshito Karo…’

(A) Bhairav / Kaharwa

(B) Bhairavi / Ektal

(C) Barowa / Adatheka

(D) Bibhas / Dadra

Ans: (B)

43. Match the following songs according to their ‘Tala’ :

Ans: (C)

44. The song ‘Amar Ange Ange ke Bajage Banshi’ is set to which category of Rabindra Sangeet ?

(A) Prem

(B) Puja

(C) Prakriti

(D) Swadesh

Ans: (A)

45. Which ‘Rabindra-Tala’ has same number of ‘Matra’ alongwith ‘Dadra’ ?

(A) Rupakda

(B) Teora

(C) Ardha-Jhaptal

(D) Sashthi Tal

Ans: (D)

46. According to the ‘Aakarmatrik Swarlipi System’, the sign of repetation of song denotes with

(A) [ ]

(B) ( )

(C) { }

(D) | |

Ans: (C)

47. ‘Jadu Bhatt’ was appointed as court musician of which state after his appointment as music teacher of Jorashanko Tagore family ?

(A) Rewa

(B) Tripura

(C) Vishnupur

(D) Odissa

Ans: (B)

48. Which divisional structure was used by Rabindranath for his songs based on ‘Dhamar Tal’ ?

Ans: (B)

49. Match the following songs with their categories :

Ans: (A)

50. The song ‘Fhule Fhule Dhole Dhole’ is based on which tune ?

(A) Kirtan

(B) Baul

(C) Western

(D) Hindustani Classical Music

Ans: (C)

PART – V

Percussion Instruments

26. Which Tal is composed in 11 beats ?

(A) Kumbha

(B) Asht Mangal

(C) Rudra

(D) All above

Ans: (D)

27. Who is the author of Book Tal Deepika (1-4 parts) ?

(A) Pt. Manuji Mridangacharya

(B) Pt. Ram Shankar Das

(C) Prof. Girish Chandra Srivastav

(D) Prof. Sudhir Verma

Ans: (A)

28. Match the following :

Ans: (B)

29. Who is the Pakhawaj Player in the following ?

(A) Shri Chandra Kumar

(B) Raja Chhatrapati Singh

(C) Anupam Rai

(D) Pt. Vijay Shankar Mishra

Ans: (B)

30. In how many matras the Ada laya of Shikhar Tal will be composed in one circle ?

Ans: (C)

31. Find the chronological order of the following Tabla player :

i. Pt. Anindo Chaterjee

ii. Pt. Shamta Prasad Mishra

iii. Ustad Jahangir Khan

iv. Ustad Hazi Vilayat Khan

Codes :

(A) iv i ii iii

(B) iv iii ii i

(C) i ii iii iv

(D) i iii ii iv

Ans: (B)

32. What is the present name of the instrument ‘Patah’ of ancient period ?

(A) Damaru

(B) Dolak

(C) Nakkara

(D) Tasha

Ans: (B)

33. Which Bol is not used in Peshakar ?

(A) Dharan

(B) Tirkit

(C) Tete Tete

(D) Dhir Dhir Kit Tak

Ans: (D)

34. Ankik, Aalingya and Urdhwak are the parts of which instrument ?

(A) Dundabhi

(B) Veena

(C) Tripushkar

(D) Patah

Ans: (C)

35. What is called the unit to clear the length of any Tal ?

(A) Sama

(B) Theka

(C) Matra

(D) Laya

Ans: (C)

36. What is called the sign to clear the Akshar Kal ?

(A) Kriya

(B) Marg

(C) Kal

(D) Anga

Ans: (D)

37. Who is the author of Sangeet ‘Chintamani” ?

(A) Acharya Brihspati

(B) Pt. Bhatakhande

(C) S.M. Tagore

(D) Dr. Prem Lata Sharma

Ans: (A)

38. Sur Bahar is accompanied by which instrument ?

(A) Tabla

(B) Nakkara

(C) Pakhawaz

(D) Mardal

Ans: (C)

39. Who is the author of Mridang-Manjari ?

(A) Girishchandra Srivastava

(B) Swami Pagal Das

(C) S.M. Tagore

(D) Rabindranath Tagore

Ans: (C)

40. Which one is used in Bharat age for Orchestra (Vadyavrind) ?

(A) Sanipat

(B) Dundubhi

(C) Alatchakra

(D) Kutup

Ans: (D)

41. On which instrument the Bol Dhumkit is played ?

(A) Tabla

(B) Mridang

(C) Pakhawaj

(D) Dholak

Ans: (C)

42. From which one the solo-playing of Tabla begin in Banaras Gharana ?

(A) Quada

(B) Uthan

(C) Paran

(D) Peshakar

Ans: (B)

43. In which chapter tal is descriabed in Sangeet Ratnakar ?

(A) 3

(B) 4

(C) 5

(D) 6

Ans: (C)

44. Which one of the Layakari’s given below is suitable for Jhaptal in Pancham Savari Tal ?

(A) Aad

(B) Reverse layakari of Aad

(C) Kuad

(D) Tigun

Ans: (B)

45. Match the following :

Ans: (B)

46. How many number of Prana of Tal ?

(A) 8

(B) 9

(C) 10

(D) 12

Ans: (C)

47. Match the following :

Ans: (B)

48. Match correctly the following books and Authors :

Ans: (A)

49. Assertion (A) : Knowledge of Laya is very much essential for the students of music.

Reason (R) : Presentation may be out of tal in absence of knowledge of Laya.

Codes :

(A) Both (A) and (R) are correct.

(B) Both (A) and (R) are wrong.

(C) (A) is correct (R) is wrong.

(D) (A) is wrong (R) is correct.

Ans: (A)

50. The Gatas of which Tabla player are famous ?

(A) Ustad Habibuddin Khan

(B) Ustad Hazi Vilayat Khan

(C) Ustad Bazid Hussain Khan

(D) Pt. Lachhu Maharaj

Ans: (B)

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