CBSE Curriculum for Secondary School Certificate Examination (IX-X) Hindustani Music Vocal 2018-19
| Theory | ||||||
| HINDUSTANI MUSIC VOCAL (Code – 034) (CBSE) | ||||||
| CBSE Examination Structure for Assessment Class IX | ||||||
| TOTAL: 100 Marks | ||||||
| Time: 01 hours 30 Marks | ||||||
| 1. Five questions to be set with internal choice covering the entire syllabus. | ||||||
| 2. Out of five questions, one question of composition in notation from the prescribed Ragas will be compulsory. | ||||||
| 3. All the questions will carry five marks each. | ||||||
| Practical 50 Marks | ||||||
| Time: 15-20 Minutes for each candidate | ||||||
| 1. Examiners are requested to ask the questions directly related to the syllabus. | ||||||
| 2. Marks should be awarded in accordance with the marking scheme. | ||||||
| Distribution of Marks | ||||||
| Sr. No. | Value Points | Marks | ||||
| 1. | Alankaras set to all prescribed Ragas and Talas | 02 | ||||
| 2. | One Swarmalika and one Lakshan Geet | 04 | ||||
| 3. | Aaroha, Avaroha, Pakad and Drut Khayal with few Aalaps and Tanas in each prescribed Raga | 07X04=28 | ||||
| 4. | Identification of prescribed Ragas from the passages of Swaras rendered by the examiner | 06 | ||||
| 5. | Any three of the following: i. National Anthem ii. National Song iii. Patriotic Song iv. Community Song v. Devotional Song vi. Folk or Tribal Song |
05 | ||||
| 6. | Recitation of the Thekas of the prescribed Talas with dugun | 05 | ||||
| * Teachers will refer to the distribution of marks while examining the candidate | ||||||
| for practical examination. | ||||||
| Theory | ||||||
| CBSE HINDUSTANI MUSIC VOCAL (Code – 034) | ||||||
| Examination Structure for Assessment Class X | ||||||
| TOTAL: 100 Marks | ||||||
| Time: 01 hours 30 Marks | ||||||
| 1. Five questions to be set with internal choice covering the entire syllabus. | ||||||
| 2. Out of five questions, one question of composition in notation from the prescribed Ragas will be compulsory. | ||||||
| 3. All the questions will carry five marks each. | ||||||
| Practical 50 Marks | ||||||
| Time: 20-25 Minutes for each candidate | ||||||
| 1. Examiners are requested to ask the questions directly related to the syllabus. | ||||||
| 2. Marks should be awarded in accordance with the marking scheme. | ||||||
| Distribution of Marks | ||||||
| Sr. No. | Value Points | Marks | ||||
| 1. | One Vilambit Khayal with simple elaborations in prescribed Raga | 08 | ||||
| 2. | Aaroha, Avaroha, Pakad and Drut Khayal with simple elaborations and few Tanas in each prescribed Raga | 07×04=28 | ||||
| 3. | i. Devotional Song ii. Patriotic Song |
03 | ||||
| 4. | i. Folk Song ii. Tribal Song |
03 | ||||
| 5. | Identification of prescribed Ragas from the passages of Swaras rendered by the examiner. | 03 | ||||
| 6. | Recitation of the Thekas of the prescribed Talas with dugun | 05 | ||||
| * Teachers will refer to the distribution of marks while examining the candidate for practical | ||||||
| examination. | ||||||
| Theory | ||||||
| HINDUSTANI MUSIC VOCAL (Code – 034) | ||||||
| CBSE Class IX | ||||||
| TOTAL: 100 Marks | ||||||
| Time: 01 hours 30 Marks | ||||||
| 1. Describe the following: | ||||||
| Sangeet, Dhwani, Nada, Shruti, Swara, Saptak, Thaat, Jati. | ||||||
| 2. Define the following: | ||||||
| Raga, Aaroha, Avaroha, Pakad, Vadi, Samvadi, Anuvadi, Vivadi. | ||||||
| 3. Describe the following: | ||||||
| Bandish, Sthai, Antara, Swarmalika, Lakshan Geet, Khayal. | ||||||
| 4. Define the following: | ||||||
| Laya, Tala, Matra, Sam, Tali, Khali, Vibhag, Avartan. | ||||||
| 5. An outline history of Hindustani Music of Modern period with special reference to the works of | ||||||
| Pt. Vishnu Narayan Bhatkhande and Pt. Vishnu Digambar Paluskar. | ||||||
| 6. Notation system of Pt. V. D. Paluskar and Pt. V. N. Bhatkhande. | ||||||
| 7. Description of the following Ragas: | ||||||
| i. Alhaiya Bilawal | ||||||
| ii. Yaman | ||||||
| iii. Bhairav | ||||||
| iv. Kafi | ||||||
| 8. Ability to do notation of compositions in prescribed Ragas. | ||||||
| 9. Description and ability to do Tala-Notation of the following Talas: | ||||||
| Teentala, Ektala, Jhaptala, Keharwa, Dadra | ||||||
| Practical 50 Marks | ||||||
| 1. Six Alankaras set to all prescribed Ragas and Talas. | ||||||
| 2. One Swarmalika and one Lakshan Geet in each prescribed Raga. | ||||||
| 3. Aaroha, Avroha, Pakad and Drut Khayal with few Alaps and Tanas in the following Ragas: | ||||||
| Alhaiya Bilawal, Yaman, Bhairav and Kafi. | ||||||
| 4. Identification of prescribed Ragas from the passages of swaras rendered by the examiner. | ||||||
| 5. i. National Anthem | ||||||
| ii. National Song | ||||||
| iii. Patriotic Song | ||||||
| iv. Community Song | ||||||
| v. Devotional Song | ||||||
| vi. Folk or Tribal Song | ||||||
| 6. Recitation of the Thekas of the following Talas with Dugun, keeping Tala with hand-beats: | ||||||
| Teentala, Ektala, Jhaptala, Kehrwa, Dadra. | ||||||
| HINDUSTAN MUSIC VOCAL | ||||||
| (CODE-034) CLASS-IX | ||||||
| Periodic Assessment 20 Marks | ||||||
| Project work | ||||||
| 1. | ||||||
| a) Musical compositions of Ragas prescribed in the syllabus. Identifying Artist, Labeling any one Instrument Melodic. 05 | ||||||
| b) Description and writing the notation of prescribed Talas with Layakaries (Thah Dugun , Ttigum, chaugan ). Identifying the Musical Compositions with which tala is accompanied. Identifying precssion artist, Labeling any one percussion | ||||||
| Instrument. 05 | ||||||
| 2. Periodic practical Test, restricted to three in music in an academic year. Average of best | ||||||
| two tests to be taken for final marks submission. 10 | ||||||
| Each test will examine a candidate for one Raga from the syllabus, one Devotionalor folk song or Tribal | ||||||
| song and two talas. | ||||||
| Theory | ||||||
| HINDUSTANI MUSIC | ||||||
| VOCAL (Code – 034)Class X | ||||||
| TOTAL: 100 Marks | ||||||
| Time: 01 hours 30 Marks | ||||||
| 1. Define the following: | ||||||
| Aalap, Tana, Meend, Kan, Khatka, Murki | ||||||
| 2. Describe the following: | ||||||
| Dhamar, Tarana, Thumri, Lokgeet | ||||||
| 3. Origin and development of Dhrupad and Khayal. | ||||||
| 4. Basic knowledge of the structure and tuning of Tanpura. | ||||||
| 5. Detail study of the following Ragas: | ||||||
| i. Bhupali | ||||||
| ii. Khamaj | ||||||
| iii. Durga | ||||||
| iv. Des | ||||||
| 6. Ability to do notation of compositions in prescribed Ragas. | ||||||
| 7. Brief life sketch and contribution to music of Miyan Tansen, Sadarang and Ustad Faiyaz Khan. | ||||||
| 8. Description and Tala – Notation of the following Talas with dugun: | ||||||
| Tilwada, Chautala, Sultala, Rupak. | ||||||
| Practical 50 Marks | ||||||
| 1. One Vilambit Khayal with simple elaborations in any one of the prescribed Ragas. | ||||||
| 2. Aaroha, Avaroha, Pakad and Drut Khayal with simple elaborations and few Tanas in the | ||||||
| following Ragas: | ||||||
| i. Bhupali | ||||||
| ii. Khamaj | ||||||
| iii. Durga | ||||||
| iv. Des | ||||||
| 3. a. Devotional Song | ||||||
| b. Patriotic Song | ||||||
| 4. a. Folk song | ||||||
| b. Tribal Song | ||||||
| 5. Ability to recognize the prescribed Ragas from the passages of Swaras rendered by the examiner. | ||||||
| 6. Recitation of the Thekas of the following Talas with dugun, keeping Tala with hand-beats: | ||||||
| i. Tilwada | ||||||
| ii. Chautala | ||||||
| iii. Sultala | ||||||
| iv. Rupak | ||||||
| HINDUSTANI MUSIC | ||||||
| VOCAL (Code – 034) | ||||||
| Class X | ||||||
| Periodic Assessment 20 Marks | ||||||
| Project Work | ||||||
| 1. | ||||||
| a) Musical composition of Raga prescribed in the syllabus. Identifying Artists, | ||||||
| Labeling any one Instrument ( Melodic). 05 | ||||||
| b) Description and writing the notation of prescribed Talas with Layakaries ( Thah , Dugun, Tigem, Chavgan). Identifying the Musical composition with which tala is accompanied. Identifying percussion artist, Labeling any one percussion | ||||||
| Instrument. 05 | ||||||
| 2. Periodic practical Test, restricted to three in an Academic year. 10 | ||||||
| Average of best two tests to be taken for final marks submission. | ||||||
| Each test will examine a candidate for one Raga from the syllabus one Devotional or | ||||||
| Folk song or Tribal song and two talas. | ||||||
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